Former CID detective Sze Tou Shun was forced to leave the police force due to suspicions that he was involved in an arson case. He joins a security company, where he meets Cheng Lik Hang. As a former detective, Sze Tou Shun has a reclusive character, but has a sharp eye that can catch tiny details from surveillance footage which are often the key to solving cases. Cheng Lik Hang's thinking and style of working is similar to Sze Tou Shun's and is also excellent at his job. The two become good friends and are looked upon favourably by their superior. This is until private investigator Ng Zan Nei appears. Conflict arises when she mistakes Sze Tou Shun for an old friend...

The story picks up right where the original left off. When he realizes there is no match for his supreme kung fu, the legendary swordsman Wan Fei Yeung decides to retire from the martial world for a quieter life. He meets two good kids, Luk Dan and Siu Chi, by chance, and later he gives his power to the fatally-wounded Siu Chi to save his life. Unfortunately, Luk Dan chooses a path of no return when he practices some powerful but evil kung fu so as to seek vengeance for his persecuted family. Luk Dan becomes a malicious madman. How can Siu Chi stop Luk Dan from terrorizing the martial world?

During Emperor Renzong's reign in the Song Dynasty, Bao Zheng is appointed Kaifeng Prefecture Prefect. Bao Zheng, his trusted aide Gongsun Ce, Guard Zhan Zhao, and the four Constables are determined to crack down on corrupt dealings. Merchant's daughter Yun Qianyu is an eloquent speaker. Under Gongsun Ce's guaidance, she eventually becomes a consel. Ji Niannian, a maid from Gaochang, is an autopsy expert. These two ladies help Kaifeng Seven unravel bewildering cases. However, danger is lurking everywhere in Kaifeng Prefecture. When it is revealed that the emperor's heritage is questionable, Bao Zheng has to handle the most difficult case yet as he faces the dilemma of revealing the truth or abandoning his conscience for the sake of his country.

When his girlfriend dies, Dr. Albert Wong Fo Fun joins "Life Force", an international medical humanitarian organization, to carry out her unfulfilled wish of helping the less fortunate. He also sets up a medical centre in Hong Kong to help the poor. While working in Kenya and in Hong Kong, he meets a wealthy young doctor, an honest nurse, and a stubborn young volunteer. Together, they help each other redefine what it means to live a meaningful life.

Man Si-Yuen is an educated man who used to be an imperial physician; he is old-fashioned and he believes that girls should stay home. In order to study, his daughter Mang Lai-Kwan dresses up like a boy to attend school. There she meets an incognito Mongolian prince, Temür Khan (Tit Muk-Yi), and an upright man named Wongfu Siu-Wah. Lai-Kwan like Muk-Yi, who sees through her female identity. Yet on the other hand, she finds out that Siu-Wah is, in fact, her proposed fiancé. Through a variety of adventurous situations, Lai-Kwan's feelings slowly develop for both Muk-Yi and Siu-Wah.

The drama is told in three separate folklore stories about love, lust, vanity, greed and selfishness. {Changing Pins} - Male and female fraternal twins fall in love with different men with the same appearance. The older male twin has an homosexual affair with a Prince of the Liao Kingdom, while the female twin falls in love with a poor scholar. {Judge Lu} - A poor scholar has an affair with a courtesan that resembles his wife. {Chasing Fish} - A scholar becomes the object of affection to a fish spirit and human girl with the face.

Set against the complex tapestry of Hong Kong residents, a multifaceted group of women sets off a chain of life-altering events that leaves everyone navigating the intricate balance between blame and accountability.

Using the political decline of Northern Song dynasty as the background, this is the story of the Four Great Constables upholding justice while punishing the wicked.

Hap Hak Hang is a Hong Kong television series adapted from Louis Cha's novel Ode to Gallantry. The series was first broadcast on TVB in Hong Kong in 1989.

"The Legend of Love" is a 20 episode drama by Television Broadcasts Limited, released overseas in June 2003. It was re-aired in 2004 on BTV, and in 2005 and 2007 on TVB channels. It is an adaptation of the story of "The Cowherd and Weaver Girl", with slight changes to the storyline.

When the Emperor mysteriously disappears from battle, his new wife Consort Quan Fei, is accused of murder by his mother, the Empress Dowager, who sees Quan Fei as an ominous woman. However, Quan Fei is protected by the Emperor's younger brother, the new Emperor Daoguang, who has loved Quan Fei since he was young. So when Daoguang announces that Quan Fei is to be his new consort, the Empress Dowager partners with Daoguang's wife, the new Empress Shencheng to eradicate Quan Fei from the royal court.

Feng Yifei, a young hunter from Baihua Village, who becomes entangled in a quest for the legendary Black Gold Blood Sword, a sentient weapon forged from rare celestial material. As Yifei bonds with the sword, he uncovers a conspiracy led by the rebellious Prince Zhu Shengbei, who seeks to overthrow the emperor and exploit the village's resources. Alongside his blind brother Feng Yile and the spirited Tang Jian'er, Yifei navigates love, betrayal, and political intrigue. He faces off against powerful enemies, including the ruthless Ouyang Nitian, to protect his village and avenge his family. The Hunter's Prey AKA Black Gold Blood Sword or The Black (Blood) Sword was a Hong Kong based Wuxia TV series based on a novel by Huang Yi. The TV show aired on the channel TVB Jade in 1990.

Yellowthread Street is a 1990 ITV police procedural developed by Ranald Graham. Adapted from the novels by William Leonard Marshall, the thirteen episode series revolves around the Triad-busting cases of a group of Royal Hong Kong Police Force detectives, based in the colony’s Yellowthread precinct. Despite being a critical and ratings hit, Yellowthread Street never caught on, perhaps the result of the exotic setting and expensive production (it was shot on 35mm). It also seemed caught between two eras: conceived in the 1980s and produced at the turn of that decade, its philosophy and look seemed a little dated compared to other modern shows of the genre (i.e. The Bill).