In this new Scottish mockumentary, we witness the struggles of farmer Jim MacDonald, his loyal farmhand Donnie and his temperamental mother - as they struggle against the elements - and each other - on a farm in Perthshire, Scotland.

A.C.C.A.A. licensed appraiser Kim Parker takes you into the world of appraising items dredged from the bottom of the lake.

This mockumentary series follows the peculiar lives of six eccentric -- and sometimes obscene -- misfits who march to their own beat.

Nobody's Watching is a television program that was never aired. It originated with and was written by Scrubs creator Bill Lawrence, as well as Neil Goldman and Garrett Donovan, writers for Scrubs and Family Guy.

Ace Lightning is a children's television series co-produced by the BBC and Alliance Atlantis, which has been broadcast in the United States as well as in the United Kingdom and Australia. The show was filmed in Canada, but the program was set in America. It ran for two seasons, and spawned several books, including a yearbook for the year 2003, an activity book and a companion to the series. A computer game based upon the show was released in 2002. Most of the programme was live-action, although the heroes and villains from the video game were created using CGI. The primary focus of the series is the power of friendship, as well as the battle between good and evil. The series is significant in that until its creation, live action and CGI had not been attempted to such a huge and constant degree within a weekly television serial.

A slice-of-life office drama about people who don't want to go to work that will resonate with everyday office workers.

People Like Us was a British radio and TV comedy programme, a spoof on-location documentary written by John Morton, and starring Chris Langham as Roy Mallard, an inept interviewer. Originally a radio show for BBC Radio 4 in three series from 1995 to 1997, it was made into a television series for BBC Two that aired from September 1999 to June 2000.

That Peter Kay Thing is a series of six spoof documentaries shown on Channel 4 in January 1999. Set in and around Bolton, these follows the lives of different characters and stars Peter Kay as the subject of each documentary. All of the episodes display Kay's penchant for nostalgic humour and unsympathetic lead characters. The series was narrated by Andrew Sachs. Many of the plot lines were based around actual events from Kay's life. At least six of the characters appear in the spin-off series Peter Kay's Phoenix Nights.

EP Daily is a daily news television show that covers movies, TV shows, comic books, collectibles and gadgets. Created and executive produced by host Victor Lucas, and his Vancouver, British Columbia production company Greedy Productions Ltd, EP Daily has been a staple on airwaves since its debut in September 1997.

The Games was an Australian mockumentary television series about the 2000 Summer Olympics in Sydney. The series was originally broadcast on the ABC and had two seasons of 13 episodes each, the first in 1998 and the second in 2000. 'The Games' starred satirists John Clarke and Bryan Dawe along with Australian comedian Gina Riley and actor Nicholas Bell. It was written by John Clarke and Ross Stevenson. The series centred on the Sydney Organising Committee for the Olympic Games and satirised corruption and cronyism in the Olympic movement, bureaucratic ineptness in the New South Wales public service, and unethical behaviour within politics and the media. An unusual feature of the show was that the characters shared the same name as the actors who played them, to enhance the illusion of a documentary on the Sydney Games.

Travel through time via music and comedy drawn from the forty-year library of the legendary, but fictional, musical variety show called “Sherman's Showcase.”

After his wife leaves him for a starving artist, high-flying insurance broker Richard Scribe has an epiphany and hits the streets of the financial district to reinvent himself as a slam poet. From poetry slams to the boardroom, from the streets of the financial district to the hot tub, watch Rich as he recites his heartfelt, anti-establishment poems while his business and personal lives collapse around him.

An absurd documentary series that tells the story of humans, to humans, with humans and in a humane way, İsmet Ve

In 1988, renegade filmmaker Robert Altman and Pulitzer Prize–winning Doonesbury cartoonist Garry Trudeau created a presidential candidate, ran him alongside the other hopefuls during the primary season, and presented their media campaign as a cross between a soap opera and TV news. The result was the groundbreaking Tanner ’88, a piercing satire of media-age American politics.

For Valerie Cherish, no price is too high to pay for clinging to the spotlight. Desperate to revive her career, she agrees to star in a reality TV series, allowing cameras to follow her every move as she lands a part on a new network sitcom.

Food is art, and art is food. In this spicy mockumentary, we meet six of the world's most revolutionary chefs -- each redefining the dining experience.

Zach hires a camera crew to film him throughout his daily life as a part of his quest to become an over-night celebrity - even though he possesses no real talent. From Zach's attempts to become a celebrity chef or a ring-tone recording artist to purposefully going missing, he'll try any avenue to get noticed and stop at nothing until he reaches fame.

The everyday lives of office employees in the Scranton, Pennsylvania branch of the fictional Dunder Mifflin Paper Company.

Set in the year 2031, this mockumentary looks back at events that ostensibly happened during the first 30 years of the 21st century. The series follows a format that co-creator Armando Iannucci previously used in his satirical year-in-review programme '2004: The Stupid Version'.

This partially unscripted comedy brings viewers into the squad car as incompetent officers swing into action, answering 911 calls about everything from speeding violations and prostitution to staking out a drug den. Within each episode, viewers catch a "fly on the wall" glimpse of the cops' often politically incorrect opinions, ranging from their personal feelings to professional critiques of their colleagues.